Molten calf (series)

In 2020 I restarted my drawing practice as a way to rethink my output with a narrow set of tools and iconography I had developed over the last several years. Broken structures, ghosts, empty capes and “doom wads” have become a steady visual grammar that is mostly about me deconstructing the ideologies and beliefs of my childhood. You can read more about the thinking behind some of this work in an ongoing series on my blog titled An index of personal effects. 

This is a handful of a larger body of drawings that felt like it belonged together. These have yet to be exhibited. Don’t be shy.